“It feels alive”: The Legend of Ochi Director of the Power of Power
The myth of Ochi It feels like a picture that does not exist today. This is not the original story, an already popular book or the adaptation of comic. It is full of complex puppet and practical effects, so many movies escape because it is easy to deal with CG. And it provokes pictures of some horror children in 80 and 90s like a nightmare-loving adaptation of Rold Doll’s Witches.
According to the film’s writer and director Isaiah Saxon, it was very difficult to get The myth of Ochi Made of. "Trying to make a film took more time than to make the film," He said in an interview In the Egadjet podcast. " I think it is very difficult to reach children with your first image because children are now behind this kind of corporated IP world. But I really wanted to reach the children with my first picture, so it took a lot of time."
Whenever he gets a little funding for the film, Saxon said it used it to protote the creatures with London John Nolan StudiosIt has built animetronics for images Jurassic World DominionAs well as scouted places in Romania. "Therefore, before I get Green Light (to make a movie) in three and a half years of this work, I got this visual package, which was undeniable," He said. "When the A24 finally says now, we are brave and dangerous and this is not what anyone usually does, but we will trust you here."
The result is a picture that seems to be very personal and different. It is concentrated on a young woman named Yuri (Helena Jengel) growing in a small village on the island of Carpathia. There, people are afraid of the mysterious primets that are invoked, living in the woods and attacking farm animals. Her father Maxim (Villem Dafo is another unintended A24 film performance) traditional, overwhelming mano, and he runs a group of boys to hunt Ochini. Oh, and he wears the occasional Viking armor.
The film begins with Ochi, he looks like terrible monkeys from a distance. Yuri grew up to fear them, but after a young Ochini faced, she begins to reject everything she taught. That the creature looks adorable, with big eyes and protruding ears, it’s a little like The MandalorianGrog (Aka Baby Yoda), but with fur. Infant Ochi is a complex puppet created by John Nolan Studios, and it looks unusual first because we hope it will produce the computer these days. But this is clearly the physical object, and the Yuri can respond with actual facial movements.
"Puppets are such an ancient art form," Saxon said, when I asked why he was pushed to turn the Ochini into a puppet, not the CG creature. "We have been making shadows on the cave wall for thousands of years, and our brain will life to a character when we see our brain."
"And then there is also the attraction of the puppet failure space. Even when you don’t do it right, it feels alive. And especially for this baby primate, we find out as soon as we test the puppet, the minor defects that come through the rod puppets are actually a small baby monkey how to move their body."
If creating a reliable puppet is one problem, the other is effectively on the film set. "(John Nolan Studios) pushes the limits you can do with the Animetronics," Said Saxon. "We have been able to prototype for years to build these creatures. And then on the set, we have widely rehearse each scene with all these puppets. The head is doing, he is doing the head"
Another two people control the puppet face when looking at the monitors, so there is a challenge to act as the same company, Saxon said. The sets of the film have been built to catch all the people who control the Ochi puppet and hide from the view often. And then there were suit performers. "We are in the monkey suits with heavy animatronic heads with hand extensions, they cannot see. They are hot and they are in the Carpathian forest in the mountains of Transylvania," Said Saxon.
After seeing what he had achieved The myth of OchiIt is not difficult to see Disney Saxon in Marvel Universe as many independent filmmakers. But that doesn’t happen. "I have not already said," Saxon commented to make Marvel’s film and he did not even have the desire to do anything based on the existing IP.
Despite clear love for puppets, Saxon is not completely against the use of digital tools. The myth of Ochi Still uses CG for the Ochchi’s long distance shots and to create virtual sets. "I also, for years, have learned CG and I have done a completely animated 3D movies. And I know the software and I know it is a Bespoke Craft art, which is laborious and filled with love and attention."
"This is not worth the respect for this," He said. "There is some kind of corporateization and excessive use of CG. “Saxon knows that he is well aware of the role of the CG, but it is the best way to create a 3D river that does not exist in Romania (this is also reminiscent of the music video for the” Wanderlist “of Bjor.
"You need to see every opportunity and come to the technique for work. You have no philosophy about this."
This article first on Engadget https://www.engadget.com/entendment/tv-movies/it-feels-alive-the-the-geled-geled-fo-po-ci-director-Of-pover-Of-pover-pover-p pospets-183043579.html?src=s
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