Vienna State Ballet in Madrid: Corutty is not in use and music liberation | Culture

Can you get out of the theater with broken wings, the mood of the soils and lost hopes? Ken. And it should not be. For those who love and protect the Great Ballet, Venones machine in real He had to look like an attempt to discourage. The applause are warm, there is an air of confusion; There is another hope in everyone’s minds.

The nominal orchestra of the theater should be noted for deeper into complex Sonorities, despite the delicious of the emissions of Soprano Merina Monzo, participating in two musical parts of such a different style The fourth mahler is developing his part in the movement The performance of the Vienna State ballot failed to consider the quality of the dancers and the quality of a large number of dancers, and even the quality of the dancers; To date, the dance and ballot that has been scheduled since the re -opening the Royal Theater has become the most popular. It is related to asking: Did the programmers really look at the path of daily and mechanical dance? The concert.

On his previous two visits to the Royal Theater, Wener Statsballet left and justified and justified. First in 2000 Manon Kenneth Macmilon (directed by Renato Janella) and in 2017 Private At that stage by the company artistic director manual Legris. Today is almost yesterday.

With an inconsistent, disoriented template and clearly inspiration or stress, Van Manuhen’s work and shlopper’s penetration, shameful drugs and his great glory have left the taste of the bitter mouth, almost poverty, and it is not always the most important and respectable anapera and respectable in the world. Schlefer has already been reported to have punctured the bone Vienna in his role as a ballot director, and it accelerated his exit. Many times we have to leave our most fickle furos to adapt to those who receive us; This is called professional devotion. On September 1 he will take over as Vienna The The first is the perfect dancer Italian Alessandra Ferri .

Vienna State Ballet with 'Cancertante' by Hans Van Manen. Masayu Kimoto and Kiyoka Hashimoto in the picture.

Schlefar’s choreography is not less excited, but this is the place where the descent of the set from the 2020 dated 2020 is already recognized. The Symphonic Ballet is not a Tyler drawer that bear everything they thrown; He had his glory for Massin in the 30th and 40s of the twentieth century, and Balachin put it in his own way And then with Uve Scolz, especially in CentroopaIt was the stage that Shlepper himself lived in improvement and enjoying new works. Bringing to Dance Scene Complete Symphony is always Titanic, so it is very low.

This mahler’s symphony is probably less dancing in his amount Corpus Symphonic. Nearly 60 dancers who wear funniest clothes wake up and wander with funniest clothes without knowing what to do. They come in, depart, they hold, but nothing will happen in artist or qualifications. Monument becomes empty.

In all great composers, mahler and Wagner’s Dynamic duo of the most infamous ballot of the ballot; But the fate punished both of them, and a choreographer in the sphere every day, with his toy with his music, with effective and great evidence, they are not made for dance; Even by some vagnarian pieces and some more Mahler, the Coryiotic Quadrocher can withstand, but they need to be less, and for it is needed to be a bezart, numier or petit. A pseudoromantic cassillad is still the sixth symphony of blowven that there is a dance inside in all music. This fourth Symphony Schlepper decided to use, Mahler, his way, his Pastural . Mahler, to dance, require a refined detailed design (like a man with a tuder Dark Elijes) And, the honesty of his poetry should not impose anything to Umption H, Rocambolesco.

Problems with The concert They are from another. These are the accents that are in effect and creating a plastic and sharp geometric continuous, which sometimes proposes to the frank martin music for us almost disintegration.

Vienna Opera State Ballet

Principal Director and Choreographer: Martin Schlepper.
Orchestra of a real theater.
Director Music: Matthew Row; Soprano: Marina Monez.
‘Cancertante’ (1994): Hans Van Manen / Frank Martin; ‘4’ (2020): Martin Schlepper / Gustav Mahler.
Royal TheaterMadrid. Until May 25.

Source link

Related Articles

Back to top button