Lebanese Plastic Art’s “The Bottom of the Sea”, Nada Edo: Calling to review buried feelings

The pictures of the Lebanese plastic artist Nada on the “Al -Bahar” show reflect her buried feelings; Lighting mirror depicts a luminous mirror, and it has a real dream state, and its exit in color doses with its personal feelings. She searched the distant places of the abyss, wrapping the right and left to start her journey.

The exhibition takes place at the Art District Gallery in the Gemayej area of ​​Beerut. In a vast hallway, 15 works are distributed. With large sizes and arrival trips with a thick brush with oil colors, the artist spreads her contents. These works are printed in high white color to produce a depth of experiment with brightly, and at other times.

Nada explains Eo Ashark al -Avasat. Each of us has these feelings, we must imitate from time to time. We bring out what we are afraid to make it public and try to evacuate the interior of these heavy loads. ”

In the addresses of the girth edo paintings, you form an idea for each of them: “Al -Batin”, “Algee Dance”, “The Reflection of the Night”, “Night Abyss” and others. All of this stops you with their vague shapes and colors, you try to realize this inner world where you live with its brushes. Some of them can be filled with a group of people depicted in the form of frozen demons. In other words, children and the elderly are living in you from a distance. Nada Eo brushes the places of her vast paintings with a dream, so her principal sinks with waves and vibrations similar to hypnosis. She says: “He should think that he is swimming; because it arises from the depth of the sea of ​​water. Inside us, the vast oceans, whenever we perceive them deeply, I will perceive our truth. And I will depend on my drawings on transparency, to facilitate my messages, and we have to find only its signs.”

She looks at the paintings of artist without boredom. You need time to draw a lesson and message: “The message I want to deliver through my paintings is that no one can explore our depths. It is a space, especially at the same time. We need the decision to explore our character.”

And about the technique she used, she replied: “I will take my brushes, brush with oil colors and give it to its area. I choose her roads and paths, so I can exploit me. Finally, the decision is mine; I know how I ask.”

When it comes to colors, it chooses it according to its mood: “The colors of each painting are speaking in a direct way or contrast. I will not plan my options in advance, but it automatically flows from my brushes.”

According to the girth edo, it is not easy to get to the air. When we practiced the hobby of diving in the seas, we allowed it to a certain level, “but in my paintings, I exceeded these limits deeply. Here is very calm and calm to the world. When we are in it, we will find more clearly.”

The artist refuses to calculate her drawing style from the type of abstract art: “It does not belong to it; because every painting tells a story, and we can see this journey clearly, when we find this journey in us, we have found that it is not limited to it;

The girlfriend ines the world of the depths of the sea and transports it into humanitarian cases, and it describes the “Night Sun” in one of her images, against the backdrop of light and dark. In the “Light in the Shadow” painting, the blue flows between the layers of dark oil.

Speaking of the art effect of drawing on it, she concluded: “This is a treatment that heals me from life’s concerns. I will prepare a moment to finish drawing painting that does not similar to others. Sometimes, I have to be a complete equation heart, so it will be canceled for a new structure. This attraction is between me and every happiness.”