“Tiotihuwakan today is a Multi -native and multi -cultural city that is New York: Met’s new Michael c. Rockfeller trip

Laura Philoy Nadal is easy to explain the world if you have an object before you. But it is not right to say “the world” because it is not one and there are many; Perhaps the word “America” ​​or “America” ​​contains them. Philoy Nadal, 58 -Year -Uold Mexican, an archaeological scientist, curator and renewal. From 2022 he was Michael C. Works in Rockfeller’s curatorship New York Metropolitan Museum (MET)It has a collection of ancient American arts and will re -open after four years of closure and deep changes on May 31, 2025.

Michael C, which began in 1982. Rockfeller wing, collects more than 1,800 pieces from villages Sub -Saharan Africa, The Americas and OceaniaSo far between 3000 AC. The US region is almost intact until 2021. The story expired and the story is expired and the changing quotes have stopped answering the current questions, as the progress of the art of ancient American America and the progress of wisdom, most likely, after the inauguration.

Turn America 180 degrees

Philoy Nadal walks with the country a few days before reoping GalleryA total of 4,000 square meters loaded with white paint and morning light. She and Curator Jovan Pillsbury are responsible for the results, data and knowledge applicable in a story and in an honest map.

The direction of the way is important and, therefore, rotating the map in 180 degrees – it is made on the main screen of the room – necessary. America slept, and very nice. Nothing on top of nothing. The map is very powerful, it is necessary to say and ask why. “This is part of the speech … you can see the world from the place you want to see it and it will definitely allow us to understand,” Philoy Nadal said.

The animated map refers to the movement of the first settlers. On the screen, the arrows do not move from the north to the south, but from the left to the right, it can be transformed according to social and political systems – Frantaeras, kingdoms, countries – have agreed in the history of human decisions, almost all forced and intervening through tragedies.

On the other hand, everything in the room tells how humans migrate and always migrated; And this is not one of the US, how is that human movement. “This is a place where we can see ourselves.”

“We see how different cultures emerge and understand that they have communicated, for example, on the shores, Ecuador and Mexico are the interactions we do not understand in the west of Ecuador and Mexico. This is the contrast, which means the cultural mosaic, the cultural mosaic of the Unitedk The place we haveFor this land, it is New York, where 27% of the population is Latin, ”Philoy Nadal explained.

But New York existed in Tiothuwakan. And the room begins to travel. “There were people living there and came from all the extremes of Mesamorica. Traders, artisans, people also migrated and took their customs.

Philoy Nadal knows in advance of questions and has a clear speech. He chose one Gallery Parts Series It builds a story that resembles a chair about ancient art in America.

Flat background Lebrry with a two-phase eagle made in Mexico between 1680-1700.

“It is always very interesting about the cultural transplantation of the cultural transplantation. It is very interesting because it is a lung, a piece of ceramics for the 16th century. A Lebrilille is very common in Arabs and is very common in Spain in Mexico. Global World In the 16th century, ”the curator said.

Immigration, metallic and trade

In this way the room begins to answer the most important question: What do these objects reveal about movements and relationships between the people of the US and the world? Each particular case contributes to the narrative.

The sea mammal of the present Costa Rica and Panama was probably held there and then between 700-1550 DC

For example, a piece of chikwa in Panama. Why did a curator hold the Mayan world in the world? This piece is made by an artist by rebuke. But anyone who came from Pama today (perhaps), considering it was a valuable object, took it to Yucaton and left in Chitchen Itza, where the pilgrimage was already present at the time of the presentation. “Then, you have to imagine these life stories: a person who carries this object or the object goes in hand so that it will reach the sacred place, which is very different from the place where it originates,” Laura said.

The pendant made in Jadeta displaying a tucon. Now Costa is explained between 300-700 AD.

The curator was walking, and now he points out that the Costa has gone to the Rica area, where there are jade pieces without trembling in the hands. Olmex, Mexica, Tiotihuwakanos and Maya walked for a kilometer to search for the Motogua River in the current Guatemala. Meanwhile, the South Costa Rica population, which is close to the river, has ignored them. They looked at the south. They were interested in technology and gold work, which began two thousand years before the remaining continent in South America. “This is the beautiful thing about the gold -of -the -stle collection. It is synoptic collection. There are pieces of different cultures and temporary parts. Perhaps there are large gold collections in museums in the museums in the source, but not from other places.”

The funeral mask of Lombayeck culture, made between 900-1100 AD

The collection is parallel to the two empires that are coexisted during the arrival of Spain, Mexicans and their technology. “It took a long time to dominate this domain of these methods, for example, alloys and alloys between the metals would impress the level of metallic science innovation.”

A owl appears on a screen – the shield made of gold – the same as exposed in the showcase, but in the picture is not corrosion and in motion: the wings move. “Opponent, when he was in a confrontation, you need to imagine that the owl has come up with him. And even thanks to these digital tools we can explain how these objects have seen in the past, because it shines. And how it was used.”

Garments are worth more than gold

Although gold has a high value in the metals, Philoy Nadal recalls that in the world of Hispanic, in the pre -Hispanic world, the garments are more value than gold.

The textile area is in semi -glum, but the colors of each object have their own light. This place is definitely a novel, Met came from museums, which made more interest and investment in the acquisition of clothingBasically because of the New York industry as a guide city. Since the opening, Met has created an unprecedented fabric library.

The feather panel of their civilization of 600-900 DC from the Churunga Valley on the south end of Peru.

A room wall is completely covered with panels with more than 250,000 feathers, blue and yellow. Philoy Nadal usually has information that no one is surprised: “The museum has created a series of stable isotope studies to find out what people have eaten with other organizations. Some have eaten strawberries, and they are free Macos, but others are only eaten with corn.

Another Tunic, which is between 1400-1535 AD

Both Uncus were also displayed. Red, white and black thread shirt with unku chess print. Preparation is needed for more than a thousand hours and it is very mastery, and its reverse is similar to its forehead. “It is very interesting, because some members of the Emperor Court have explained how this kind of alternative black and white tables are explained.”

The Unku is also an answer to the general question that moves the thread of the story: “If this type of shirts returned to the theme of the boundaries, these types of shirts were found in Peru, in Chile and Bolivia. That is, what is the extension of the old Tahuantinsio, – the name gave their empire.

The end of the way is the basic: the migration of the migration is what we have ever done and the migration is something we do not stop doing. Thanks to this there is a change, evolution and creation. “One would migrate for your own story. And you leave a lot of things, but you also bring a lot of people with you. Where do you get, make an impact and transform. And it is something that is affected.” After completing the tour, there is a feeling that migrating in New York and being the story is to continue.

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