Sudan image that oversees women’s suffering during “Hells” … “Revolution”

Amidst the verses and protest movements of the former Sudanese President Omar al -Basheer, the film, between the Sudanis Revolution in December 2018, was born in the film “Helsey”, the film, which has uncovered the hidden areas of the tenure.

The “Malmo Arab movie in Sweden” was shown in the last version of his 15th session in the final version of the Festival and reached 17 minutes, not just explaining political facts or events, but it was submerged in the specific details of the revolution within a small cell within a small cell within the last days of a revolution.

In this closed area, the destinations are separated from the outer hustle, the destinations are met and the feelings are eliminated in direct conflict with fear and hope, and self, director Yasar Fayez provides a huge human experience, which is beyond the physical war and internal fighting, which is not less than the wars in the form of a style.

“Helli” is not just the title, but a deep visual and spiritual metaphor; The infernal tree spread throughout Sudan, and its kind of leaves, has tough conditions, becoming a symbolic incarnation of beautiful women, strong, varied, but often neglecting their presence, symbolic estimates on their reality, from editorial, when it is completely visible from its last shot.

In an interview with “Al -Shark Al -Sharat Al -Avasat”, the film’s director Yasar Fayez says: “This idea was born from a long meditation of my mother and my grandmother’s life, and their struggle, not constantly declared, but he was strong in my memory, but I had come back to what I returned.

He adds: “I thought about a movie about the revolution, especially about women during the revolution; women’s existence in that event was unusual and different from the front rows, but they were in the forefront of their heroism and artistic article, I wanted to show this ignorance championship.

Political compulsory choice is not a key factor in this film, especially in a country like Sudan, there are no serious technical documents of arrest experience, especially when it comes to women, it is one of the factors that encouraged the director to go and adhere to its performance.

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The film has started working on a series of video interviews with former political female prisoners. Fayez wanted to look at their direct reactions and turned this personal documentation into a brick in writing the script: “Despite physical violence and its cruelty, I have confirmed that this experience is not a difficult moment.

Although the film takes place most of the area: Rasala, Sudan director succeeds in creating visual diversity, taking advantage of the design, lighting diversity and photography aspects of the site. Fayez says that designer Hadil Othman is not only dark but also a “visual depth”, reflecting in the experience of seeing it. When it comes to acting performance, it is after workshops and extensive tests, Islam Mubarak and Koo.

Yasar Fayez believes that the pain does not only make the film, so he is interested in showing the moments of happiness and moments of human warmth inside the cell, the scene of henna and dance, which breaks down the normal rhythm and gives them a place to pick up their breath to the characters. For him, the resistance is not only screams or refusal, it is also to keep some aspects of life.

The film faced strict productive obstacles: “When the group was in the manufacturing stages, the first confusion against the civil government was in October 2021, and it was prevented from being portrayed in a real women’s prison, and we had to build alternative space from scratch, and supporters of some private sectors who were restricted from the limits of political images.

The director recalls those details: “When the exhibitions are deployed abroad, we are taking a photo inside, and we are working with full privacy. Then April 15 came to remove the rest of them, 2023. We lost the semi -final version of the film, and if everything is not reserved in a studio outside the country.

Although the director did not attend the first film shows due to the current stay in Kenya, he gave him a sense of interaction with the film online, especially when Sudanis, who thought the film had expressed her, read the comments of women. Director, Isra Al -Kaukley, who represented him at the Malmo Festival, gave him great interaction with the film at the festival and thanked the Sudanese woman who recalled this.

It is noteworthy that a winner is focusing on deep Sudanis and humanitarian issues, and is currently working in a long film between Sudan and South Sudan, who will be completed in 2027 and will be shot in Kenya with the participation of the Arab and European parties.