“Mogs” … intersections of environment, culture and memory in the city of Al -Ahsa

“Mogs: An Experimental Farm” is the first Saudi Wing Show name in the current Treaty Milan Design and Architecture, perhaps one of the most comprehensive exhibitions; In its subject, in its subject, in a letter reaching the viewer through the various aspects of the work team, from the design of each of them to audio clips or artistic structures and drawings, everyone talks about the main idea, and the basic voice of the show varies, exploring the intercourse and close connections.

It is a lot of fun in this area, which is captured by ideas, reflections and artistic expressions. We enjoy the spirit of the group and the Hassavi community.

We met with the two supervisors of Lulwa al -Mania and Sarah al -Amran show to talk about the idea of ​​the show and its departments.

Sarah al -Mran chooses the start by describing the meaning of the word “mode”, which is a traditional local measurement unit that represents the area of ​​the land surrounded by four palm trees, al -Ahsa farmers have previously counted land measurements. An artist in front of us in the pavilion is a cheater that is covered with dust, covering the mirror pieces through four palm trees.

Makes this part attractive? Of course many aspects, some of them are completely aesthetically, which is the artistic structure of the soil in high -rise areas and depression. The place has a composition that represents water wells, then in the fourth corner, similar to pieces made of palm frands and gold seedlings, covered with scheduled storm pieces. The symbolic scene was completed with a varied audio tape between the red carpet and the washeds and songs on one of the ends.

There are a variety of framework that has different framework on the walls, information, maps, images and construction plans on the excellent installation, along with the angles of three characters from Al -Ahsa, in a popular market in a popular market.

“Microsomed” implications

All of these lines meet in the general sense of the word “acne”, and not only in the sense, but also in the sense of Sara Al -Mran: “We are talking about the experimental farm here, which is the social space of the last year, we and Lulva founded by the last year, to attract practice from various backgrounds, we have a new model and a life of life. Make conversations on changes and imagine the new future and opportunities.

Lulva al -Mana al -Ahsa speaks of the importance of an experimental farm in Ahsa and urban expansion, modernization and infrastructure change represents the environmental and social changes in the past due to the change in the past: “We have found that it is important to understand what is going on and in the local community. We have seen, especially resembling Al -Ahsa, in an ancient history and have a great heritage. “

Urbanism selects the thread and speaks of environmental changes in Al -Ahsa Oasis in the UNESCO list, and adds to the environmental changes in the Oasis and adds: “These changes have become very clear for about 30 or 40 years. But what is related to the culture is that it is related to a certain environment.

The title of the presentation of the presentation or the word “planted” indicates that it is connected to a measure unit that is not implemented with many past methods in Al -Ahsa, “One of the research reveals, the months evaluation, the measurement units, and the water, the water, the water, the water, the water, the water, the water, the water, the time of the water, the time.

The work team

To create a more obvious picture of the various changes in Al -Ahsa, Al -Amran and al -Muneam created a multi -skilled group to work in this project, “We have to understand many of them in search of oral articles, songs, songs and worship. Can be: How do we have any questions to understand these questions about the culture of the environment in its various forms?

We have noticed the basic performance of the exhibition and the presence of different frameworks on the walls, where there are information and engineering drawings, as well as in the past and its palm and its villages, the images that highlight Al -Ahsa’s oasis. This information represents the waterways and wells in Al -Ahsa, and their water is drying due to climate change, where we also look for a plan for an analogic network undertaken in 1940 and fifty. “Drawings show how channels are installed on each other and they have shown that they have finally become a concrete channels that make their water dryer.”

The width looks like a piece of interlocking fabric, in which there are dozens of special strands, but it is a comprehensive image of the changing world.

In different strings, Al -Mran and Al -Muna al -Ahsa have chosen to showcase three stories about the handicrafts, including the Red Rice farmer, including the Red Rice farmer.

The second character is the seller in the Weekly famous market, which is part of the villages and urban clothes in the Oasis, and finally the “Al -Madad” industry’s last handicrafts, which are brushed by the basil, and brush for the puddles and homes.

Technical posts

“Mosrus” displays three works within the Saudi Pavilion. The first of the architect Lin Azlan is formed by secondary waste for the agricultural process and studying the expansion of mono agriculture and the effect of artificial fertilizers on the local environment. In the second writing, it is a multimedia film by Al -Ahsa’s Visual Artist Mohammed Al -Faraz, in which it re -imagine the local popular story on one of the milestones in the village. The third task is the audio material for the “Voice and Video” Foundation, which is concentrated on records and conversations related to oral history, and women’s audio memory as one of the expressions of environmental knowledge.

Muhammad al -Faraz and pre -story

In one corner of the show, we see the appearance of the video reflecting on the floor under the shape of the palm tree, forming the equivalent of running water, the reflections of Artist Mohammed Al -Faraz are part of the video, so we find toys for a frog and fish structures and have taken editions and hands from the city. Al -Faraz takes us to Al -Ahsa by work. We are the IMAGine with its wells, palm trees and oral heritage through the story of generations.

Al -Faraz tells us during a short conversation that he was eager to participate in the pavilion at the request of Al -Mumran and Al -Mania: “I saw it as a sweet opportunity to work with the team and two artists, Lin Al -Azlan and Tara Al -Dagat.”

Valva’s work is related to the world of irrigation and Wells in Al -Ahsa and “stories and organisms.” A video previously depicted on the water channels in Oasis: “The idea of ​​showcasing a speaking movie, and even creatures such as frog and palm talk, and even the farmer’s voice, all tells the fictitious tragic story, but they appear on a positive side.”

The film relies on a story about a story about a girl who is drowning in the irrigation channel, and then called the residents at a small palm tree, which is formerly: “The palm is still in vain, and it is in vain every year. I like the people of the villages.

He commented that the storytellers of the story are in the creatures in the Oasis: “Witness what is happening in the world, the lovely side of nature, they are always recovered, and there are also those who repeat them back to life, which is too much to come here in the handicrafts of al -Madad.