Joum Pnensa enters the Royal Academy of Fine Arts: “Making my work self as an artist like us” | Culture
Joum Plusa He has been silent for more than three decades during noisy. His sculptures, distributed worldwide, sometimes take a finger to their mouth to start it. The meaning of his work this Sunday has found a reflection in the expectation mutis of the academics Royal Academy of Fine Arts of San Fernando It met at the Madrid headquarters of the company to listen to the speech of the Catalan sculptor and receive a new number of members in the sculpture section. And Plansa broke the only silence to protect it as a simple language and a method for the union of the cultures. “Coming from my intimacy to the people and society is undoubtedly a steady tonic as an artist.“, The sculptor said when the company’s medal number 37 was hit.
Plansa has crossed the ritual, with a serious gesture, a fine taxedo and its characteristic black glasses, the auditorium of the palace in Madrid, the auditorium of the palace, the academy headquarters, but the organ – recently renewed – decorated the space. He went on the stage, transformed his mirrors for others to help others to help others, the same resisted throughout the same action – the uniform started some laughter, though in speech, in spite of the moment for the academic suite – he began with his words.
The work of Pnenensa could not be understood without the experiment of different materials. Also did the same to express his speech this Sunday College Created from lessons, poems, reflections, personal memories: “an invisible self -portrait”, freely “polished, folding, hammer and soldier.” The result is a kind of artistic manifesto, in which he placed the art into the center and defended his work as a “different race, culture, source or people of religion”. Although art does not usually require explanations, artists often help to know their problems and understand their work well. Those who have Plansa are clear: “Our society lives anonymously with poverty, hunger, violence or pain: wars everywhere, Mass displacementThe destruction of nature, false information … “. The darkness of light and everyday beauty.”
Plansa did this, or at least he tried for three decades of work. His work, very recognized, You lived and modified in different places in the overall geographical. From New York to Tokyo, it passes through Madrid, Seoul or London. From Boston to Istanbul, with a scale in Taipei or Shanghai. This is a Spanish Spanish plastic artist Miquel BarcileFurther quoted in global and international market. In his speech, the creator said in his speech that his giant’s heads, usually women – because of the future feminine, “he said,” They are Hilwanando, the invisible network of permanently captured places. ”
The new educator in his sculpture “A great mirror reflects the face of everyone’s face.” Every human being is a place. Every time a man dies, a house will close and lose a place. My work is his memory. The frozen stabilization of most bodies develops in the volatility of light and disappears. My task was his volume, “Cat also continued.
Can see a close example of what he says Stand From El Pace at the Arc Fair This year. There he presented eight heads in the Alabaster of various features, in the name of diversity and mistakes. Another complaint to the problem that causes him to be very concerned: the drama of migration flows.
Julio Lopez Hernandez, the last of the real tradition in Spain, replaces the Catalan Academy. For him, as usual at these celebrations, Plensa has a memory: “He is a unique way to develop his unique reality and his unique reality, a unique way to change the world of medals from public places.”
His entry to the company is more recognized for his successful profession. He regularly performs in the most prestigious museums, Art Centers and Galleries in Europe, America and Asia and is awarded with leading national and international awards: Medalle Des Chevaliers des Arts des Arts des Arts Des Arts D France (1996), National Prize for Plastic (1997) Velazquage Award (2013) for Graphic Art (2013) or Plastic Arts.
The response to the sculptor’s speech was responsible for the historian Vector Nito, who proposed to occupy the space to the Plansa in 2022 along with Juan Bordes and Simon Maran. Nito Cat also reviewed the work of the cottage and emphasized that “his innovative artistic quality, his unlimited creative ability and his plastic versatility”. The historian followed that “the sculptures of the Zoum Plusa are treated before one of the evils that affect our man’s human being: loneliness with the audience.”
Before, Plansa ended with a few words that define their work and synthesize their artistic vision: “Every morning, when I open the study door, an earthquake moves my heart everywhere. Everywhere the earthquake lifts my dust with the dust of others, my life and silence …”. The noise of the organ in the palace shut down with equal pragmatism. The hugs and greetings have delayed the arrival of a new member of the academy, a medal around the neck, and his arrival in his name. Fortunately he has plenty of wine.
