Disciplinary meeting with rebellious and free beauty
She was a platform for her hollow The Hustle of Life, a platform of “casino Lebanon” theater, which should be interested in tired spirits and hearts. Lebanese -Armenian Maestro Harrot Vaselian -led rock party it exceeds that it is a Symphony musical evening; To cry out of self -depth, the mirror of the crisis time, and the arena of conflict between the discipline and the rebellion, and the soul and the spirit of the soul, and the mold of the dream, and the mold of the dreams.
From the heart of the orchestra, Eternal “Rock & Roll” songs come from two young voice of Omar al -Haz and Joy Fayad, together with Lebanese musicians, to return to the memory of the audience, the fame of this revolutionary art. These songs seemed to be screaming inside the body: “Weil Rock You”, “Weil Rock You” for Canvin, and “How Totzakh” For the Pitils, “How To Totzakh”, “Sterave to Hafin” Badl Zebeline, and “Broad Mary” Tenar …
The ceremony, organized by the “Rotary Beerut Cedars” club in support of the “Lebanese Child Dar” company, represents a moment with a double notice that is concerned with a double notice of spread and expulsion, in which beauty is a human function. As the words were carrying more than one sore throat, the electric transport that touched the earth in the evening, and the spirit seemed to have risen from its loneliness: “I am here and will not remain silent after today.”
Song options are not random. The Fazlute, from its small to large, is in detail, exhibited from the party’s entire artistic focus, organizing, lighting, sound and program. He wanted every song to address a person who thinks he has no place in this world. The rock here is the detection of fragility. Each tone of crying, and every melody of internal conversation with self.
When the orchestra played “Staruuu Tu Hafen”, when the song seemed to be on the side of a light side in the layers of the soul, it was not an illusion or fact. The journey fits alone, because it is no longer necessary to reach. The song reminded the throne, saying that salvation is achieved through the same research.
Musicians, Berge Vazelian, Son of Maestro, “Droms”. Fills his passion for the twenty theater. In his name he carried about his late grandfather, theater director Berz Vaselian, it seemed that it was re -written by his family history; This time by rhythm.
At the height of the ceremony, Harut Fazlin took the mastro jacket and took the guitar wearing a rock jacket. This is not the details of passing. It is actually his vision of a symbolic: “good music does not belong to a template. She can be transformed, and can move between the samples without losing their essence” al -Shark al -avasat. ” He continues: «I don’t want to play rock in a completely Sympho style, so here the song loses its real meaning. As in Beethoven’s fifth symphony, it can only be played with UD. Each machine has a character, but mix it to complete the melody. ”
Between classic discipline and rock, Vaslian finds a rare meeting position. “It is easy to work with the orchestra because her mind is trained to walk in a line. When it comes to stone, its mind depends, think free, think outside of casual. It I love it.”
This is not strange to this rebellion. He grew up in Lebanon on Al -Rahbna songs, and he grew up in rock tones in Canada, and then went to the Soviet Union to learn classical music. 3 layers of musical shape: Oriental, Academic and Rebel. And when Chaikovsky’s music was rewritten, he could not prevent it from being injected with the rock, “because it was my soul”; As he says.
Vaselian believes that the last thing is “good music.” It has nothing to do with whether it is old or modern, as long as it retains its soul. He succeeds against her, comfortable and easily rejected and loves the challenge. “As you chased something you did not satisfy yourself,” she told him; He smiles: “Restoration makes me breathe.”
Women behind the scene
However, the ceremony was not born for the proposal submitted by Mastro’s technical partner Joel Hajjar, “Rotary Beerut Cedars” to the Club, a collection of donations through a musical evening, not just a dinner. “We wanted sophisticated and effective music,” she told Ashark al -Avasat. There are a lot of challenges, from convincing the idea, to physical difficulties, thereby all the details. Mastro is in all stages of implementation; From music to lighting, and every moment. ”
She says that the club president Rudolph did not hesitate to support the idea, so the result was a night that did not leave in his seat.
The ceremony was over, and it resonated with me beyond the ear: in the spirit. Harut Fazlin said this style of music, the way, the shape of existence and the open message: “When the earth is reduced to you … rich.”
