A performance in Riyadh has a cultural identity of folklore by art

The role of art in an invitation and fast -paced societies to rethink the concepts of identity is promoted by the exhibition of the “Fragments of Folklor” hosted by the Jacks of Jacks in Dyia, participating in a group of prominent designers and artists from different countries in the world.

While the growth of the artistic view in the Middle East is accelerating, Riyadh maintains the “fragments of Folklore” performance through art, combining heritage and contemporary experiments, and in accordance with the seizure of art inside and outside of Saudi Arabia, and the seizure of art. Represented in the context of handicrafts and contemporary artistic.

This exhibition is beyond seeing folklore, just from the oral heritage, from the stories and legends that have been transmitted over generations, as the language and heritage of symbols and legacy is always a catalyst for history and innovation, and maintaining heritage culture and inherited culture.

At the “Fragments of Folklore” show, Hamrah Abbas, Lulva al -Hamoud, Rashid Al Khalifa, and Ashour, returned the cultural heritage parts in contemporary visions, where folklore is not performed as a strict effect from the past, but the recognition of recognition and interiors.

Each artist works through the “nuggets” of engineering, caligraphy, material or abstraction, inherited knowledge, and at the same time the echo of the past, at the same time proves their existence in the present through the contemporary awareness of old shapes and symbols.

And through the first four artists’ meeting, the performance, symbolism and visual narrative opens the doors for multilateral cultural conversation.

Folk stories: continuous conversation between the past and the current

According to an article submitted by the “Fragments of Folk Stories” Exhibition, the show tries to define folklore with tough words, but it demonstrates a continuous conversation between the past and present, the extension of commentary and re -starting, and some part of this great story and a part of this great story of this great story.

The conversation between the tradition and the rebuilding to include the design of the exhibition, because its lines are inspired by traditional architectural mazes in the NAJD region, and the area is designed to be overlapping, which is divided into different non -mutual connecting components, in folklore, but when involving a large tissue, it is a big tissue.

The wide corridors and hidden angles provide moments of rotate and innovation, while the central column appearance is the symbolic pillar that connects the central column with its heritage roots, at the same time receiving the spirit of change and restoration.

Also, the selected materials give a new depth to this experience, from acacia wood, which has a structural framework, which survives inheritance capacity; History is merging into the fabric of the same place, and in this high environment, the difference between the past and the present allows them to communicate directly with the structural and physical heritage that re -form the work of contemporary art.

Transformation of cultural scenery in Saudi Arabia

The artistic value of the exhibition says that Lisa de Book, (Folklor’s nuggets) is not limited to showing artwork; Instead, it includes the artistic movement that highlights the voices of re -designing the artistic scenario of Saudi Arabia and abroad.

“By highlighting these voices, the performance contributes to the formulation of artistic history and ensures that cultural heritage is preserved and that it is a powerful inession ha for future generations.”

As his own, he believes that the founder of the “Tha” initiative of the “Tha” initiative, Hasan Al -Kahtani, folklore, “A living and changing narrative, and the past, and” the exhibition re -imagine classification and an amazing elements. “