Riyadh Art Week … Innovative coordination and visual creativity
A festive atmosphere in Riyadh last week was submitted by a local, internationally and internationally more than 30 expensive works in its main section, which was submerged in Riyadh last week during the launch of the first edition of “Riyadh Art Week”, and it spread in large areas in the “Jacks surroundings”. The managers of the event were accustomed to his artistic ability before anything, and it was not commercially similar to the rest of the Arab and international art exhibitions, CEO of the Visual Arts Authority, in her early speech and weekly director and technical values, Vetoria Mattress, was confirmed during the exhibition of her participating halls.
The Matarage claims that the tour does not provide the traditional way of participating in the traditional way, and she chooses to talk about the contributions she submitted and usually the participants, while reviewing the various artistic coordination based on the show.
Of course, the show is different from the arts and performances markets in the area and around the world. Artistic coordination is interested in highlighting artwork in the museum which is not maintained by narrow places granted to the gallery in various art galleries. Here we are occupying the huge places in front of each other, some of which are occupied and extended in front of visitors and attract him to reflect on it and enjoy the space and freedom of the display space. After wandering, we noticed that the boundaries of the halls were almost hidden, because the managers used breakfasts with longitudinal openings that allow the managers to see the freedom of visitor, which is proud to be a “transparent barrier”. The coordinators also used various and independent artifacts, which between the various exhibition halls, to connect the halls and the artists provided their works here and in a similar visual conversation.
The beginning and end of the display indicates that the subject is connected in terms of the subject, and the tour is opened from the huge work of the artist Kadir Atiya, which extends into a huge rectangular space, extending in front of the viewers, sharp -angular brokers, which are covered with broken mirrors.
The visual impact of work impresses and the mind also speaks: “It is important to start from the idea of recovery, version and consequences.” She represents the consequences of broken mirrors and the wall, “she meets here today. On the contrary.
In the first part, we pass a lot of surprise, meditation and praise to some pieces, especially in a certain gallery, visually enhanced to connect different shows to get out of their narrow space, and the visitor withdraws to a different artistic atmosphere that is the basis of technical reflections. In those works and “Evie Gallery” shows space from Dubai, the colorful knitted “The Source of Light (Sun)” The Source of Light (Sun) “from Mali to Mali, which begins to reach the color of sand from black and yellow shades. Cante color uses fabric strips as a visual impressive plate that attracts the visitor from a distance.
When we see a huge woven, we see a group of small sculptures of Saudi artist, a friend who continues to carry the metal domes built into bricks and stones, carrying this series in front of us, “Our houses toward the Kibla direction” These pieces are the privacy of Mecca Al -Mukarma, reflections of Vasell and its artistic practice, which is interested in iron, which is like a piece of soft clay and pots.
In the gallery of “The Bell” from Istanbul, the heavy woven stretch with the width of the gallery is shown to hang on a rope to dry the clothes, represent the natural view of the hills, the sky and the color of the sun. Natural images expand pieces of white clothes that separate each view and view, working for the Greek artist Navely Babadimalli under the name “The Dream Coat”.
From heavy pieces of small pieces, the visitor moves. We are damaged by small square paintings through small square paintings, the same size paintings, and all of them are Saudi artist Sarah al -Abdali’s drawings “and my house is only burned and only a myth.” Al -Abdali paintings are beautiful, simple and expressive. The details of the tiles from the old city houses, Jamal disappeared and its impact on drawing coal on paper.
In the “Leson Gallery”, the works of Egyptian artist Whale Shawki are special and fictitious characters that live in myths outside the heart of the mountains. Shockey was attracted to the area from his drawings and aspects of historical drawings and maps, some of which were fantasies of the area they did not visit. Through the trip, we see the guidelines of Saudi artists like Photographer Reim Al -Phaisal, where “Pure Art Gallery” provided some images of Hajj.
We see more than one work through the artist’s Maha Al -Mallouh participating halls, as it provides the same thing on the spacecraft.
In the second section of the display, we focus on the ingredients obtained from nature and traditional handicrafts, where we look at the work of artist Manul al -Devian, depending on the garments, then we will see a task made from the Rops of Emirati Artist Afra Al -Baheri, where the Eeziopian makes it for its magic manuscript. We see three paintings in the Grand Mosque, Al -Axa Mosque and Prophet Mosque, which appears to be installed with gold triangles on the pages of the ancient album.
This perspective from the show is on the art of manuscripts and paper, so, in addition to a guideline gray works, the artist from three mosques from the three mosques, as well as the three works by Jameel Ahmad al -Balushi, and the work of the manus, and the manuscript paper.
Artist Alia al -Zaridi has occupied a full wall titled “Middle and Enlightenment”. We have different shapes and a bunch of colors, through which the artist’s world is currently experiencing fragmentation and the idea of rupture. Artist Mohammed Al -Faraz concludes the second hall with a task outside of the heart of Al -Ahsa Oasis, using palm trunks, fridge and oasis to create a unique space, spread to the walls, embracing the artist on the wall, embracing the palm trees, embracing the palm trees, and around the wall. The work is great and gives a special life to the end of the basic appearance.
The Visual Arts Authority CEO Dina Amin and Riyadh Art Week Head Princess Advva Bint Yazid bin Abdulla al Saud.
