What we learned from the melody in the Eurovision

Pirouette Final Performance musical composition Ay woke up. “Oh, this falls.” “Oh, it will be good.” “Oh, something broken.” “Oh, you were tense.” Because Pirouette is not light features, it is not a mistake that ballet in the world was used for us. It is a difficult and fragile turn, at the same time. Rosak and Apotheosic, at the same time. but This final Pirouette alone determines all the expression of the melody: intense and beloved, mired and excessive, excessive. This popular surplus was an ally so that it would not stop seeing it even inside the curse on the lights, boldness, and cameras and evils that tried to wear a song that does not remain in the memory. Do not stop seeing it, if you know it in advance.

Because Melody made us all accompany the word “The singer” is a “courageous” and “strong” attributes. To insist more than anything else, but also the artist’s ability to enjoy every step on her way Eurofigon. Others are strained in the previous two, it came to play without fear of laughter. Without the expectations of others, it prevents you from celebrating the Burulujlina, which will remain. While the performance disappears in three minutes, the preliminary qualifiers feed the delusions that encourage us and cultivate the links that enrich us. Thus, Melody won us, although it is That singer It was in place 24 of 26, anti -rights. Eurofestive employees in Switzerland were not overcome with many lush singer law, which was complicated for his suggestion. The Europeans did not have the same effects as they understand.

There is the other great learning that the melody leaves. We have returned to make a mistake in trying to fill the stage of the urevikic clichies without a ton, not because we may read Twitter expectations and we must be satisfied with the networks, instead of trying to enhance what makes the artist unique. His voice overwhelmed the required festive photos in the collective imagination that did not achieve their own icons that requested the ideas of the song. Fortunately, The strongest and original image of the proposal has been strengthened, the image of the dancers of the tail of their dress. This is before the dancers seemed to pass and infiltrate the plane.

There the performance begins well, and the art is shown and presented at the front of the artist. Although in the end, it is, It ends up wandering by influencing the things that calls the viewer to lose on the stage without knowing the location of Melody. That if Zenith looks like artistic failure, if he crosses a curtain outside the song, if that same curtain falls in the wrong time, if it is installed in an elevator on the ground without coming to the story, then if he is playing now BrakeIf a white drawer rises, if he performs the helicopter with his hair as anger for his followers … put everything so that no one feels bored. Four procedures in one, with a lot Brillie Brilli But without a specific peak focused on the song’s hypothesis, it reduces the moment and selects it on TV that the Spanish singer.

but Melody becomes non -authors of everything because he takes the stage safely unconsciously does not seem to have faced the Antichrist syndrome. Thus, the melody cannot stop being the melody. He loves and tries to love an audience, between the passage of dances and the passage of dances, sends kisses when he asks his body. His smile to taste the opportunity does not remove the eye from the audience. Even when the song ends and remains to give fans their hair turns with a face of happiness. With his face has already been done.

And a lot of Trajín without stopping to sing well until shine Eurofisión. But this was not an obstacle in front of Melody to enjoy us, as we took and raised. And it will continue to do so, then, As a good people, he will now start accounting for the battalions of his participation in Eurofigon. This was a more bathing night victory than the sweet in which this final Pirouette made that perhaps not perfect. because We already know that the charisma buds in perfection cracks.