“He lived with the stigma of shame from being the witch that separated the Beatles.”
A new biography of Yoko Ono multi -faceted The stigma of shame from being “the witch that is separated Pets“.
in Yuko (Dome), by American journalist David Chef, a woman’s life is the review “Racism and Site” comments Who persecuted her relationship with Lenon.
“The details of his life and his individual professional life have been ignored. Yuko He was not relevant except for the influence that was on Lennon and Peters. As a result, the impression that the vast majority of people consisted of worn, fixed and false versions of a story was born on the same day as they gathered and reached their peak in the killing of John, “the author summarizes.
Memories exclude any suggestion that the relationship between Lennon and UNO is seeking by the Japanese to achieve fame in its artistic career. In fact, at that time they met, “” “” the artist who went her art, “and Lennon remained “Float lightly and creating Yuko’s works.”
The history of the notes dates back to the early years of ono, the living childhood champion “Between material concession and emotional poverty,” Watch some American bombings about Tokyo, who represented thought and artistic function.
It also has several episodes in which the Japanese tried Everything related to Taru, stellar messages and the number.
Most of the CV focuses on the relationship with LennonAlthough it represents only fourteen out of 92 years that ONO has lived so far, in collusion and The effect that has reached a unique art and activity.
Songs Perceive Y Give peace an opportunity The book says: “It has been created from Yuko’s art and philosophy.” His beliefs regarding art and political activity They were the basis of many porous campaigns carried out by the couple. “
In the case of the first, on the effect of ono, and even recognized by Lennon. “While he was the one who composed the melody was John, the idea, the title and the lyrics of songs inspired by Yuko’s arrest,” Chef explains. “It is the creation of philosophy and conceptual art for Yoko,” he summarizes.
The memories also informed one of the main moments of Uno’s life: Lennon was killed on December 8, 1980, and the first words of the Japanese artist when he was connected to her husband’s death.
“Lying! It can’t be! I’m not true!” That informed the news. Ono did not believe that until Lennon’s nurse gave him. Once he realized what happened, he asked the doctors not to make the general news immediately, to ensure that his son Sean – then he was five years old – did not discover television killing.
“The tragic event was just the beginning of its hell,” reviews the book, which was the details that ono was A victim of “betrayal, theft, extortion and death threats.”
Ono’s story continued with a “superior” artistic profession for Lennon’s death and the maintenance of “the legend that she claimed was to blame the Beatles separation”, but the passage of time allowed her to start modifying.Manida and the narration of the sexual bias that persecuted it. “
The unification of the re -evaluation and the demand for the personality of ONO has not reached the twenty -first century, while restoring its works and prizes for art, music and feminist activity.
