Rekha wanted to spend time with Amitabh, leaving the film
There are many stories about Amitabh Bachchan and Rekha- some screen, and many are behind the scenes. But very few stories have been so straight and open. Ranjith recalled a story that changed the performance of his director’s debut film.
Why did Rekha leave the picture
In a conversation with Ready in 2015, Ranjith said, “After leaving the performance, I decided to write a script and decide to run a film called Dharmendra, Rekha and Jaya Prada.” It seemed to be a great start. Rekha was part of the project as her old friend’s co -star and his first film ‘Chavan Paton’. He was part of this project. With ‘Chavan Paton’, ”
But the film ‘Karanama’ got a twist soon, which has nothing to do with the pictures. Ranjith said the first schedule of “Karamanama” was in the evening shift. One day Rekha called me and told me that I could make the time of shooting in the morning, because he wanted to spend the evening with Amitabh Bachchan. “Although this is a personal request, it is not possible to consider it.” I refused to humbly. Rekha left the image and returned the amount of signature. “
The picture was affected
The result was immediately shown. The shooting of the film was delayed and Dharmendra started working on other projects, and Anita Raj recommended to replace Rekha. Eventually the ‘Karanama’ was completed with Fara, Kimi Cut and Vinod Khanna. “When it was released in 1990, the film’s business was average,” Ranjith said. In 1992, Ranjith made another film called ‘Kasab Tamasha’, which includes Anu Agarwal and Rahul Roy, but the film is not working.
Amitabh Bachchan and Rekha’s Screen Chemistry, especially in ‘Silsila’ (1981), has long been debated. There have been talk, news and assumptions for many years. ‘Silksila’ may be her memorable and popular film, but he worked in many more films, in which her chemistry was highly appreciated. Some of his memorable films were ‘Mukhtar Ka Sikandar’ (1978), ‘Mr. Natwarlal ‘(1979),’ Suhak ‘(1979),’ Too Anjane ‘(1976), and’ Ram Palaram ‘(1980).
