Al -Ans is reading in “Cole Athmad” for Al -Masroui

Since the manifestations of memory are essential in the important experiences of the universal, cosmic or local … History, Tradition, Archive and Traditions, the manifestations of the memory are universal, cosmic or local … 2024, the same way of taking the same way from its educational and practical experience in the field of history, tradition and archaeological fields; Where should you be to remind the aesthetic employment? What are the objectives in the context of accepting the famous heritage as a sub -river about the privacy of Emirate Memory and Identity?

The thought of the early formal gates from the topic and cover leads to the need for the reader to find out what is unknown of the eleven stories, with eleven stories (Ibnul Bahr, Mason al -Ramza, a spiritual hole …). Key Title: The cover is obvious that the “Kahl Admad” appears to be a successor who does not know some details of the Emirates popular culture; Her most important visual icons were created by a woman wearing a luxurious Emirates, while her eyelids were beautiful, which gave her unique cultural seeds when the Emirates were interested- based on the values ​​of her social identity- to combine the needs of beauty and dignity. Before the Creator began to join his stories, he worked in the forefront of his group in the quotation of Shamz al -Tabriji, in accordance with the philosophy of his homeland in tolerance and the philosophy of his homeland; The creator Fatima al -Jahra is free from the stems of the fanaticism he can fall – in general – tradition.

The shortcut is excluded when her characters carry their identity, and they incite the values ​​of their community; According to a semantic dictionary that did not rest in local dialect, the characters were invested as a reflection of Emirate memory and culture; On the other hand, the story of “Ashma Ounna” is around a strong fifty woman called Amana, and she received a craft for selling women’s clothes and perfume from her mother, because her qualities are derived from love and increasing the intrigues of the neighborhood, and her memory helps all families; A record involving sacred and evil involves the advantage and evil. In spite of the terrible ability of this character, it is not that it is rapidly weakening and trembling to overcome the troubles of its appearance; Whenever she came to an act contradicting her human sins, when she participated in the burial of Jenin, she knew that his mother had an abortion; When she was calling the baby’s cry: My mother, my mother and those dreams were staying with her and staying with her, she secretly visited the graves under the dark night’s dark night, thinking that the baby would be alive … (24). However, the strength of the personality of Oun’s personality in winning the suffering and intrigue did not support the treachery, her husband Hammud, who secretly married her children, disappears, and in the absence of her epic- a big mess for the al-Hara people.

Aesthetic narration of memory and id -the -solidarity of the solidarity Lines of Marginal Tales in a Fictional Form Printeced by Suspense and Excitement That Lead to Explore Mason al -Ramza ”“ My name is Hessa ”. A citizen or resident; This is clearly shown in the departure of a man “oun”, but not limited and open character.