Panasonic S1R II Review: The cheapest fantastic hybrid camera than opponents

With A1Sony is the first person to introduce a high-resolution hybrid camera, which is a non-a boy that is equivalent to the video and video Expensive. Nikon and Canon followed that template with R5 II and Z8 models, which provided similar capabilities for less money, but they are still, to 000 4,000.

Enter S1R II. This is the first camera of Panasonic, not only to shoot up to 8K video at the company’s normal high standards, but can capture 44 megapixel (MP) photos in fast explosions. And unlike its opponents, the new model is available at more reasonable $ 3,300 – half the price Sony’s A1 II. At the same time, it is a huge upgrade than the original S1R.

The main catch is the lack of high-speed stacked sensor found in other models, which can cause some distortion in both images and video. As I find, that tradeoff is very valuable for the low cost and film quality that suits its competition. All of this makes S1R II Panasonic’s best camera and make a very enthusiastic option in the hi-resolution mirrorless section.

Design and maintenance

S1R II is similar to other recent Panasonic models such as GH7 in terms of design and control layout. It is very light at 1.75 pounds than the original S1R compared to 2.24 pounds, so it is less tired of taking all day. When it comes to maintenance, there is a peak that sits in your fingertips in a huge silk, which is almost impossible to fall. The outer part of the rubberized exterior is easy on the hands, although it is not as good as the soft material of R5 II.

I have always liked Panasonic controls and may be the company’s best model for S1R II. Before the upper front, the top back and the back of the joystone and dials, the lockable mode and the above shooting dials. You also get a special button for photos, video and slow and quick (S&Q) mode, each with special settings. Dedicated autofocus switch, top and front of the front are video record buttons, tally light and multiple programmable buttons.

The menu system with logical color-coded menus and submenus is equally good. You can also find the most used functions in the quick menu. All this allowed me to shoot photos and video without fumbling for the settings. You can also completely program buttons, dials and quick menu for your own preferences.

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The display behind the content creators and photographers is great. It bends up and down to easily overhead or shoot from hip photography, and vlagers can comfortably paint themselves. It is very sharp and brighter enough to be used in sunny days. Electronic Viewfinder is also excellent with 5.76 million drops resolution and 100 percent magnification, comparing Canon’s R5 II and defeating Nikon Z8.

The battery life is not a strong point, however, is less than 640 shots permitted by 280 – R5 II when using 350 shots or electronic viewfinder in the charge. This allows for more than one hour for early-stop video shooting. However, the optional DMW-BG2 battery grip of Panasonic can double the grip endurance and also allows the battery hot-transplant.

S1R II SDXC UHS II and Very fast CFEXPRESS Type Bards supported by SSD capture by USB-C Port at the same time S5 IIX And and GH7. The latter two storage techniques start shooting in high-bandwidth raw and make proos to increase quality.

The Panasonic Microphone and Headphone Jacks also include a full-sized HDMI port. For the best sound quality as possible, the optional XLR2 accessory to reduce the possibility of clipped audio allows you to summarize four channels at 32-bit float quality. In the end, S1R II is the first mirror model of Panasonic, a protective carbon fiber curtain that comes to protect the sensor similar to the recent Canon and Sony models.

Performance

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However Original S1R Anemia can only handle 6 FPS explosive speed, its successor can hit 40 raw images per second in quiet electronic mode, defeating all its opponents-limiting the shooting quality to 12-bit. To get a 14-bit quality, you need to use a mechanical shutter for explosive shooting at 9 FPS.

However, Panasonic S1R II does not have a rapidly stacked sensor like opponents. The result is a rolling shutter, which is, in certain conditions, such as race cars, propellers or golf swings. However, it overcomes many other non-stucked high-resolution cameras such as Sony’s A7R V and Panasonic’s own S5 IIX in the area.

Pre-Burst Capture is now available and begins when you press the shutter half. It allows you to save you 1.5 seconds of photos you missed after you completely press the shutter button.

With corrected phase-detect autofocus system and a new, fast processor, S1R II has a fast and intelligent AF system of Panasonic. It is now locked up quickly on the face and eyes of a thing and can follow their movements more smoothly, while humans, animals, cars, motorcycles, bikes, trains and planes become automatically. I realize that it is fast and usually reliable, but it is still not up to the scales for Sony’s and Canon’s speed and accuracy.

Increased body stabilization to Panasonic 8 stops. It is similar to opponents, although the Canon R5 is leading with 8.5 stops in II. However, if you want to obscure the waterfalls or move cars when shooting the handhild, it allows you to freeze the action in the quarter second of shutter speeds.

The quality of the image

Photo quality is best with good details as opponents, although Sony’s 61-Megapixel A7R V. Colors I have seen on the recent camera, compare or defeat the wonderful R5 II of Canon. My pro photographer has taken several shots with friends S1R II and recognized that it was slightly superior than their Sony A1, they rarely needed white balance in the post.

Thanks to the dual-isso backside-illuminated sensor, the low-light capacity for a high-resolution camera is excellent, the noise is well controlled by the ISO 12,800. Moreover, the grain becomes more problematic and the shadows can take the green cast. JPEG retains good work while suppressing noise reduction sound, but ISO is overly aggressive above 6,400.

If 44MP does not fit, the S1R II provides a high-resolution mode, which captures eight images with a slight offset sensor position and composes them as a 177-megapixel file (raw or jpeg). It is used without a tripod, though, I have to be very still in getting good pictures when doing so.

Video

S1R II Panasonic’s best mirrorless camera, yet for the video, I will discuss with some exceptions. You can summarize the 8K 30p 10-bit video at 300 Mbps, close to what Sony’s most expensive A1 can do. Further, it is better, which makes the maximum dynamic range with no crop or a 4K video up to 120 FPS. Finally, the S1R II “Open Gate” 3: 2 is up to 6.4K (and the firmware update from 8K to 8K on the road), which makes it easy to burn all kinds of formats, including vertical video for social media.

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Some of these resolutions, especially 5.9K60 FPS and 4K120 FPS modes, are 1.1x and 1.04x respectively. 4K120 FPS also uses pixel binning, losing resolution and introducing other artifacts such as rainbow-colored moir.

It takes us to the main trouble: the rolling shutter. The S1R II is actually slightly better than S5 II in that regard, 25 millisecons at 1/40 per second or full sensor readout reservations (8K or 5.8K). If you hit the camera with whipped or painted fast moving items it would be motion or curve. However, it is acceptable for regular handheld shooting.

Panasonic’s Dynamic Range Expansion (DRE) is a problem, which increases the video dynamic range through the stop, mostly in the highlights of the image. Starting that feature has worsened the rolling shutter.

If you need to reduce the rolling shutter, you can disable the DRE without a big hit in quality. And at 60p reduces a 4K shooting rolling shutter so that it is similar to stacked sensor cameras, while at the same time provides high-quality footage with a slight crop.

When it comes to video quality, it is the razor sharp and the color composition is perfect and pleasant. When shooting with Panasonic’s V-Log I had a dynamic range at the high end of the cameras close to 14 stops, which allows it to highlight excellent shade and highlight recovery, especially in Dre Mode. It is still very good without a dre, especially if you don’t shoot in bright and sunny conditions.

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The video AF is also strong, and even focusing on moving things quickly. The face, eye, animal and vehicle identification works well, however, again, the system is not as reliable as I have seen in the latest models of Sony and Canon.

S1R II offers more stabilization options than its opponents. Optical stabilization provides good results for the handheld video, but electronic stabilization (EIS) makes things more sensitive. Cranking it until the most aggressive high EIS setting provides a gimbal -like sensitivity, but introduces a significant 1.5x crop.

In addition to them, the Panasonic is called “cropless” EIS. That setting takes advantage of unused areas of the setting sensor, to correct the corner distortion with wide angle lenses. I found that reducing the rolling shutter for quick pans and walks is very well done, which helps to reduce such problems for some creators.

So, Yes, a rolling shutter web is worse on this camera than opponents like R5 II. However, there are ways to work around it. Do not buy S1R II if the minimum distortion is a critical feature, but it should not be a problem for many users, especially at this price.

Wrap-up

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The S1R II is the best hybrid mirrorless camera of Panasonic to date, which provides a great balance of photography and video forces. It reduces opponents such as the cheapest new camera, Canon’s R5 II and Nikon Z8 in the high-resolution hybrid section.

The main trouble of the rolling shutter that affects the video mainly. As I mentioned, it does not cause a problem for most content creators and there are alternatives. Putting it aside, it provides the best photo and video quality when providing innovative properties such as crop electronic stabilization.

If you need more resolution, Sony’s 61MP A7R V will provide a little better image quality. If the rolling shutter is really a problem, I recommend Canon’s R5 II (that will cost $ 1,000 per model) or Nikon Z8. If you want to spend too little, Canon R6 II or S5 II or S5 IIX of Panasonic also solid options. For other hybrid shooters, Panasonic’s S1R II is a great choice.

This article first appeared at Engadget https://www.engadget.com/cameras/panasonic-ii-ii-ii-iii-iii-ii-ibrid-hybrid-hybrid-thats-than- chaper- rs630655.HTML?

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