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It was difficult in Egypt to know the most achieved images of people’s success
For many reasons, the list of “List of the highest revenue films in Egyptian cinema history” is changing with the year of years, only in the last five years, in the light of the priority of the preference of the Egyptian product, ignoring other images that have been shown in the last five years, a great public and critical success for senior stars in the last decades.
The list of the highest revenue films in the history of Egypt is the top list by Ahmed Ezz and AMR Yusuf, the “Wallad Rizk 3” movie, 265 million pounds in banks (49.95 dollar 49.95) in banks, and the second film “Sico Sico” is the last Eid Al -Fitter season.
The list includes about 129 million pounds written by Karim Abdel Aziz and Karim Mahmood Abdel Aziz, “Al -Harifa 2” Nour al -Naabavi over 127 million pounds, “Kirim and Al -Zin”, which is over 103 million pounds in 2019.
Experts who have spoken to Ashark al -Avasat agree that the list is constantly changing due to many things, such as inflation, ticket prices, the number of cinemas and the duration of films in the cinema.
Since the end of the last century, many films have recorded jumping at the box office, of which Mohammed Henidi and Mohammed Foud have earned 15 million pounds in 1997 (dollar 3.33 pounds).
Egyptian producer, Safi al -Din Mahmood, who thinks it is unfair to rely on box office numbers, because the films produced 10 years later are the highest income, confirming the Ashark al -Avsat, “there are films in theaters, but are in the first stage, but the first stage is back from the platforms and the scenes.”
And Egyptian cinematographer Taric El -Sheenvi Ashark Al -Avcat “shows the need for the existence of a financial study” shows the movies that show the most viewing movies in cinematic halls, in accordance with the number of movies, and the number of movies, regarding the number of movies, and the number of movies, in relation to the number of movies, and the number of movies.
In 1949, Naguib al -Rihani’s “Spinning of Girls” film “Spinning of Girls”, or “Hammam Al -Malatili”, has been the most seen movies in cinema halls, or lasted for a long time in the halls, and after his hero -ez -Karines. Wheel.
“More than one films lasted for a long time and lasted for more than a year in the movies (leave your mind from Juzu), and (by the Father of the tree) may be with the objective count of Abdel Halim Halim Halim (leaving your mind from Juzu) for a long time. He has lasted for a long time.”
Arab Production and Distribution Company Media Advisor Abdel Jalil Hasan said, “It is not right to choose the most successful and collective images according to their earnings, the number of these account shows is that it is the number of seats for each film.”
Hassan explained that this math process would make many films by artist Adel Imam, for example, on the list, cinema halls also testified for midnight parties and parties in many seasons, playing a role in raising film revenue, while at the same time the film sees the value of currency.
The value of the Egyptian pound has declined many times in the last three decades, today a average of 50 pounds per dollar, the dollar new millennium is equivalent to 3.33 pounds at the beginning, but the price of the movie ticket has jumped into an average of 5 and 10 pounds between 100 and 200 pounds.
Art critic Mohammed Abdel Rehman “If a certain film achieves great income, if it does not bear the cost of its product, it will be a losing film, and the earnings are not limited to the box office and external offers in Egypt today, as well as platforms, airlines, television channels and other resources.
He added to “Al -Shark Al -Avsat”, revealing the full revenue of the films, the lack of financial studies through a fair path to measure the income, leading to the continuation of the phenomenon, “a decade before, so that it is the same, the same, and not only complications. “
However, the producer, Safi Al -Din, represents the opportunity to consider the number of tickets sold to each film as a temporary standard, as it gives the digital importance of the film at the box office.
