World Cultural War in Plaza San Pedro | International

San Pedro is a hugged place, the colonade of Bernini is designed to stimulate that feel. Saturday he greeted his hands For great storytellers and the great ideas of political-cultural world war that concerns the world. They are leaders of National Rapulism such as Trump, Miley, Orban or Malon, they skillfully encourage resentment and hatred and then hurts them. And leaders in antipods such as Lula, Macron, Stormer or Van der Leen, who treats with increasing difficulties to build alternative articles. Lay the Pope Francis coffin in front of them. His political, original and flexible, is entitled to study in the optics of that cultural war.

It is also because the national word is that he does not avoid conflict with them. His attack is in the Annals Against Trump’s brutal immigration plans (“a misfortune”).

At the same time, Francisco has made decisions and words that have a certain popular aromatic. The gesture not to live in the Nobel part of the Vatican, at the same time, at the same time, the beautiful statement of the intentions that suit the San Francisco de Ass, and a rhetorical message departing from the palace reminds them of some popular tactics, which has a very long path in a very beautiful way. His universality, on the other hand, has serious limits, renouncing serious progress about the position of women in the church.

But there may be another perspective of Francisco action, it is eligible to highlight. This, Yes, is inspiring to fight against national purple, supported by new technologies. To understand this, you must first reflect on what this national populism is.

This is a project that knows how to benefit it too before and is better than the adversaries of new technologies to understand opinions, open their worst instincts and then use them politically. According to the beautiful definition of multi -khos engineers, Giuliano da Empoli, from the Gianoberto Cassaulgeo (Guru of Five Star Movement) to Arthur Finksstein (Steve Bannan, and Arthur Finkellstein (Brexit) for a long time. The action of confusing engineers, in combination with the skilled Demogogs, has set up a form of political alternatives to others without finding indeed effective principles.

There he was interested in studying Francisco. This is because contemporary political struggle is not more than an effective domain of digital technology tools, but as the central space of the war is more necessary. That’s more, perhaps, humanitarianism. Humanitarian architects should oppose Khos engineers.

Bergoglyo has undoubtedly the light of the carism humanist. The choice of his name, that suggestion to the saint, after a ponetificate like Ratzinger, ignited the light. Some of the features of his dialect, his body language, his proximity to the people and, his approach, they have also promoted it.

This does not mean that it should be considered a pale model. That’s not. But it has reactions that inspire more humanism in the forge of response to nationalist nationalists. Humanitarianism when the algorithmic is derestic or human rights resentment. Oppose human networks – as the church is present – to the digital ones. Oppose the realization – call the Gaza Pastor every day – the volatility of the surface, modern time. The higher national project is human introduction, physicality, flat language, this system is suitable for the upper classes and oppose the complete and steady understanding that others are at the bottom.

In the recent five years, confusion and Demagog engineers have emerged. They understand how to start successful attacks. Protection and contract strategies have not yet been improved. Perhaps, in addition to expanding for a technical struggle, from the ancient lessons of Rome, in its history and distance – I know, sarcasm, often bright by panoramic – I know everyday life, speed. It can be very motivated by a Ponnif made by mistakes, but has achieved interesting achievements. Perhaps, San Pedro, who worked Miguel and Bernini, reminds us that humanitarian architects can come well.

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