Group’s sadness hangs over “Galatia’s crylings”

The novel “Kaladia Galatiya” is a new story for novelist Sumaya Kakadi, and he succeeded in building its language and name in the scene of our Morocco novelist, which mixes with sad crying.

What draws us in the novel “Getting of Galatia” Souls of the soul, to generate the novel from a frightening woman. The diversity of its temporary card and its contradictory events are sometimes and other different.

Critic Abdul -Rahman Bhutayeb says: “We say – we say – we are in the trail of suffering and reflected – we live with the” Galatia “, and we travel with her with her life/ our life.

“Galadia / Gulner”, from his “real” life -hiring this illegal background in his “real” life is to stop many forms of “great / kalanorat” … and from his image in his life, “the answer to the imagination”, its unique model and his reference model. From that, of course, reality and institution.

Between of the Limit of an Illegal Fictional Background and Limited A Narrative and A Narrative Person in Paper, Relations and Extensions Current Questions, We are Satisfied With Three, Generating Us

The first doors may seem that the first doors are included in the debate about the conclusion of the acknowledgment of the acknowledgment of the acknowledgment of the verdict … Is there a story, or is this story a hybrid intercourse?

– Second doors, the open door for the burning question that is trying to address a valuable, old/ new problem, may seem that its thing is not yet determined by philosophers, thinkers and theorists … Does the values ​​change the circumstances, or are there a firm root that does not move away from its appearance?

– The third chapter, a fair chapter of an aesthetic question that believes that it will touch an attractive art literature problem in the third chapter, surveillance and study … What is the “poetic language” “a story language”, what is the possibility of its transparent, communication, communication process?

Starting from us as an adventure from us in trying to open the first door – with any claim that you have the right idea – we say: “Galatiya” is a novel that has identified its “gender” with the entire line … This is a pure female story, which supports two matches:

– The first recommendation of a creative sex / writer on the novel “Takama” is the first recommendation / starter … not a writer with us and not a writer … he is the poet’s poet “Sumaya Kakadi”.

The novel of the creator Sumaya Gagadi, the novel, succeeded in carving his own story, and its place was different. Her characters live on the brink of tension, and his heroine is burdened with uncomfortable questions and anxiety, its time is different, we face the famous literary works of Morocco novelist Sumaya Kogadi. A creation that combines truth and imagination. Between legends and legends, its multi -Sound -story system leads to, in the intervals of Saleh, Sufism and asceticism, Mujahideen city and oppressed … The city of seven men and righteous saints.

The novel gives us a loud journey by fulfilling the noise and repression of the event, carrying the contradictions of life from Haboor’s success and loss, despite the contradictions of love and the hate of surrender. In a human/social/romantic template … Sometimes all the principles and thunderstorms and revenge .. All these are a dramatic story template and a poetic language.